About Abruzzo
History of Abruzzo
The historic pre-Roman age |
The
geomorphological features of the territory, which are estremely varied, have allowed the
constant and uninterrupted presence of Man in Abruzzo for about 700.000 years when the
first nomadic populations of hunters harvesters of the Palaeolithic period lived in those
valleys of the region which opened up towards the sea. The Italics were divided up into numerous tribal groups amongst which there were the Marsi, the Samnites, the Aequi, the Vestini, and those of the Peligna valley. The most important finding of this period that we still have today is the statue of the Warrior of Capestrano, a funeral stele of the 6th century B.C. which is preserved in the Archaeological Museum in Chieti, and represents a warrior with all his offensive and defensive weapons. Other significant testimonies to the pre-Roman period are visible, in particular, at the Archaeological Museum in Campli (Te) which has preserved objects discovered in the Picenian necropolis at Campovalano. However, the whole region is rich with ruins and findings belonging to this era. Remains of megalithic walls and buildings have been recovered at Alfedena (L'Aquila) which were probably from the ancient Samnite centre of Aufidena, well-known from the 7th to the 2nd century B.C. and destroyed by the Romans in 298 B.C. A huge Samnite necropolis has also come to light with more than six thousand tombs datable from the 7th to the 3rd century B.C. |
At Montenerodomo, outstanding remains of polygonal walls, attributable to an Italic settlement of considerable size, have been unearthed, whilst a little way outside Tornareccio the ruins of the megalithic walls of Pallanum, an ancient Frentani centre, can be seen. The ruins of an Italic temple, datable as the 3rd to 2nd century B.C. have been discovered at Castiglione Messer Raimondo, in the Colle San Giorgio area. Its clay decoration, partly reconstructed, is preserved at the Archaeological Museum in Chieti together with the decorative parts in brickwork which carne from the two Italic temples in Schiavi d'Abruzzo, as well as other archaeological findings from all over the region. |
The Roman age |
Right from the era of the first Kings, the "peoples" of Abruzzo did not enjoy a pacific relationship with Rome. Tarquinius Priscus clashed with the Aequi and the expansionist intentions of his successors were tenaciously curbed by the federal alliances drawn up by the Italic peoples. In all attempt to set up a unitary' state along the Adriatic coast, the Samnites were particularly indomitable adversaries of the Romans, the former inflicting heavy defeats on the latter, including the humiliation of the "Caudine Forks". After alternating outcomes, the Italics were finally subdued at the end of the social war (91-88 B.C.), but not without first being promised Roman citizenship. With pacification and the division of Italy into regions, at the wishes of Augustus, Abruzzo and Molise became the Iv region of Rome and given the name "Sabina et Samnium". The Roman presence soon
made itself felt. Road networks were improved and new settlements built, whilst existing
towns were provided with spas, amphitheatres, theatres, temples and other important public
works. |
The Middle Ages |
The fall of the Roman Empire brought to a halt any building activity worth mentioning. This was also due to the involvement of the region in the Greek-Gotho war (535-553). The arrival of the Longobard peoples in the 6th century, who colonized the territory on a massive scale with their settlements, emphasized the already gloomy economic conditions of the region, dividing it between the Duchies of Spoleto and Benevento. It was in this period that the term "Aprutium" began to be used to refer to most of the territory. With Carlo Magno, in 843, administrative unity was restored, at least nominally, under the Duchy of Spoleto, even though, by now, the large feudal families were dominating the political and administrative scene. The resumption of
construction work took the form of buildings of great importance which still exist today,
though mostly altered in one way or another. In fact, between the 8th and 10th century,
the abbatial churches of San Giovanni in Venere near Fossacesia (Ch), San Pietro a
Campovalano (Te), San Clemente a Casauria, San Clemente al Vomano, close to Guardia
Vomano, a hamlet of Isola del Gran Sasso (Te) and San Bartolomeo of Carpineto della Nora
(Pe) were all built. Furthermore, the churches of San Pietro ad Oratorium near Capestrano
(Aq), Santa Giusta in Bazzano, a hamlet of L'Aquila, Santa Maria a Vico near Nereto (Te)
as well as many others scattered throughout the regional territory were founded. |
The alternating political events, the absence of a central power which could unify the criteria for a "defence policy" and the struggles between the large feudal families were the main factors that prevented the building, between 1200 and 1400, of an organic system of castles and fortresses according to any unified plan. Nevertheless, the numerous defensive structures that were set up at that time presented such great typological variety that they made up "an exceptional indicative synthesis of almost all the aspects of fortified architecture" (Perogalli). Unfortunately, today most of these buildings have fallen into decay, but, because of the surroundings and background in which they can be found -often in isolated places which are difficult to get to -, they still manage to hold a certain fascination for the occasional visitor. Next to political events, the presence of the Benedictines came to be of great importance for Abruzzo from the 11th century onwards. As spreaders of civilisation and culture the monks have left innumerable testimonies to their presence in Abruzzo, amongst which, the Abbey of San Liberatore a Majella, near Serramonacesca (Pe), which is outstanding. Between the 11th and l2th century, the most important artistic trends spread from here into the region: the Valvense and the Casauriense. The former was centred on the Basilica of San Pelino in Corfinio (Aq), and the latter spread from the Abbey of San Clemente a Casauria (Pe). |
Both held a determining importance for the development of a particular kind of sculpture, rich in animal and vegetable ornamentation taken from popular symbology and applied to the creation of highly-decorated ambones and ciboria that are still visible today in many churches of the era. The presence in Abruzzo of the Cistercian Benedictines was a decisive step towards social and economic developments as well. As clever and energetic entrepreneurs, colonizers and improvers, they soon developed a network of economically-integrated convents, which, in the absence of economic and productive structures at that time, were autonomous and able to provide for themselves. Most of their establishments were built on pre-existing pagan temples (S. Maria di Casanova, S. Spirito d'Ocre, S. Maria Arabona, S. Giovanni in Venere, S. Maria del Monte, and others too), and the Cistercians provided the populations of Abruzzo with a wonderful example, encouraging the development of new productive classes and giving the region an impulse that was fundamental to the agrarian revolution and consequent demographic growth. A most interesting testimony to the economic vitality of the Cistercian monks is represented by the convent, or rather "Grancia" (ancient name for a monastery) di Santa Maria del Monte, isolated on the vast pastures of Campo Imperatore at an altitude of more than 1600 metres. The building, which was set up at the beginning of the 13th century, was equipped with storehouses, stalls and enormous open air enclosures so that the large flocks that belonged to the Order, could be collected together and moved out to pasture. |
The Renaissance and the Baroque period |
The Angioini dynasty was followed by that of the Aragonesi when, in 1442, the Kingdom of Naples fell into the hands of Alfonso d'Aragona. L'Aquila's resistance was inefficacious in trying to impede the transition of power, and it was subdued in 1492. After a brief period of French domination, Abruzzo followed the fate of the Kingdom of Naples which had passed into the hands of Ferdinando the Catholic in 1504. The struggles between Ferdinando's successor, Carlo V, and the King of France, involved Abruzzo in numerous serious military clashes. The cities of Abruzzo, and L'Aquila in particular, sided with France but were drastically punished by the Spanish monarch who, by splitting up the rural areas around the city and subjecting the latter to harsh repressive measures in 1529, ordained a decline which was then impossible to stop. Under Spanish domination numerous fortification works were built. These were a testimony to the strategic importance that Abruzzo had in the dispute between France and Spain. The Spanish entrusted the plans for such works, amongst which there were the Castle of L'Aquila, and the Fortress of Pescara, to the architect, Pirro Luigi Scrivā, who was also responsible for the Castel Sant'Elmo in Naples. Furthermore, the ancient castles were transformed from simple defensive building into residences which were architecturally more complex. One of the most significant examples of this is the Celano Castle (Aq), which has a squared plan and a precise geometric structure built around an arcade decorated with open galleries; however one must not forget either the Balsorano Castle (Aq), the Piccolomini Castle of Ortucchio (Aq), and that of Gagliano Aterno (Aq).. |
During the 15th century the slow introduction of Renaissance forms affected sacred and civil buildings as well as castles. Building work that was more airy and open was grafted onto medieval forms as in the case of the church of the Annunziata in Sulmona (Aq) or in many noble palaces in Sulmona, L'Aquila, Popoli and Tagliacozzo. These were enriched with spacious courtyards, flights of steps and arcades which were of a scenographic nature. The Tuscan Renaissance style was so widespread in Abruzzo that the church of S. Bernardino in L'Aquila (1415), is planimetrically reminiscent of the church of Santa Maria del Fiore in Florence; whilst San Flaviano in Giulianova (Te) and Santa Maria del Tricalle in Chieti are likewise examples of the attention that was given in Abruzzo to the temples with centre plan of the Tuscan Renaissance. The Baroque period, which developed after the plague of 1656 and the two earthquakes of 1703 and 1706, took the form of a time of reconstruction and developed both in the construction of new buildings like the churches of Santa Caterina and Sant'Agostino in L'Aquila, and - more often-in the internal decoration of antique medieval churches. Nearly all of them were enriched with costly Baroque ornaments, and, thanks to the strong artisan tradition of carved wood, made precious with valuable furnishings and ligneous ceilings as well as spectacular and imposing organs. Amongst the most prominent Baroque achievements there are the Badia Morronese, (Morronese Abbey), near Sulmona (Aq), the church of the Annunziata in Penne (Pe), and that of Sulmona, the church of the Suffragio in L'Aquila, that of Santa Maria Assunta in Castel di Sangro and the church of Santo Spirito in Teramo. |
The Modern Age |
The Spanish domination, which lasted until 1707, was followed by that of Austria until 1734 and, until the occupation by Napoleon of the Kingdom of Naples in 1806, that of the Bourbons, restored by the Congress of Vienna in 1815. In the Napoleonic period administrative, judicial and economic reforms were carried out and, above all, feudalism was abolished. From then on political and cultural life, as well as the economic life of flourishing Abruzzo was transferred to the coastal strip. This process was more and more concentrated on Pescara. It was here that, during the Risorgimento, the main episodes of uprising against the Bourbon monarchy were recorded, like, for example, the heroic resistance of the fortress of Pescara when the Parthenopean Republic was eliminated in 1799 and the rebellions in Penne in 1837. Whereas, inland, in the
mountainous Abruzzo, widespread episodes of civil struggles against the new political
direction were evident. These events resulted in the ultimate loyalist resistance of the
Fortress of Civitella del Tronto and then developed to take the form of brigandage after
1860, harshly put down by the unified State During the decade following Unification the
region was witness to the main event of an economic nature: the draining of the Fucino
Lake. |
During
World War I, after the retreat of Caporetto, Abruzzo offered hospitality to the refugees
and to the military command which moved into the Abruzzo territory hit by a disastrous
earthquake in 1915. Fascism found favourable ground on which to spread in Abruzzo because
of the large gap which existed between the social classes, especially between the
land-owners and the farm-labourers, the latter survivors of a war which had seen their
already miserable way of life deteriorate even further. Post-war reconstruction work was late in getting started. Though it happened slowly, the development of the region started to take place only at the beginning of the Sixties to then reach the height of its expansion between the mid-Seventies and Eighties, the expansion was such that Abruzzo reached the same level of economic development as the Centre and North. The Neoclassic period did not leave any valuable testimonies in Abruzzo apart from the funeral monument to Matteo Wade in Civitella del Tronto, defender of the fortress in 1805, at the wishes of Francesco I of Bourbon. It was only after Unification that there was a notable cultural revival: the scene obviously being dominated by Gabriele D'Annunzio, though the painters Francesco Paolo Michetti, Teofilo Patini, Filippo and Giuseppe Palizzi and the sculptor Costantino Barbella were all important too. As far as architecture is concerned, it is worth remembering the interesting liberty forms which were widespread at the beginning of the 1900s in many residences, especially in the coastal towns such as Pescara, Giulianova, Francavilla and Ortona, many of which are still well-preserved. |
The old villages |
Almost all the mountain centres of Abruzzo, sitting tight and protected on the peaks, were wise in their geographical setting and their own morphology for two reasons: the extreme danger of the Middle Ages, a period in which the majority of these villages arose, and the business (but it could be said mono-culture) of sheep farming, that has its kingdom in the mountains. Built entirely out of live
stone and mud, with a total, phobic absence of wood, all the old villages of the Abruzzo
mountains express the obsessive attachment to stone, which is typical of the Mediterranean
civilization. These houses of bare stone, built close, one to another, to form a compact,
protective mass in guise of a wall (therefore called "case-mura", wall-houses),
are communicating their never-ending, anguishing need of defence in a world of extended,
feudal anarchy, of the critical evasion of the central powers and therefore, the lack of
organized systems of defence. The outside perimeter of the houses enclosed the village in
a civilian (none the less effective), defensive circle. |
For a very long space of time, going from the XI century to the French revolution, this type of urban plan formed a typical model of a civilized settlement in the Abruzzo mountains. Nevertheless it is difficult to understand the sense of these human settlements, often pushed to the limits of habitability without putting them back in their place in that system of economic production that organizes, in its entirety, all life in the mountains: sheep farming. In actual fact, as an economic activity predominant in Abruzzo for almost three millenniums, therefore the origin of a particular condition of life, the sheep farming has made an impression on the territory not just limited to prints left in the pastures and sheep tracks. The great majority of the sheep, the huge flocks that periodically moved from the upper pastures in the mountains to the coastal plains of the Peninsula, are completely unconnected with the inhabited centre: the transhumant sheep always live out in the open. They represented, however, a sort of additional capital that never became directly part of the life or urban plan of the mountain villages. The actual style of each single house reflects this economy tied to a type of breeding which is based on large herds of small animals. The impossibility of moving this patrimony to the centre of the village, the need of defence which tended to limit the extension of the centre to be protected, and the steepness of the slopes, made a particular housing structure necessary in the shape of buildings with three, four, or even five or six rooms, one on top of the other. |
The religious nature of the Abruzzo people through places of worship |
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Many of the sacred places in Abruzzo today are witnesses to an
extraordinary continuity in worship which has involved the whole region since earliest
times.
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